Pixar this is not.With an increase in the NFSW community, Twitter has also gained a massive number of users as watching porn on Twitter has become easy.ĭon’t think that every Twitter account which claims itself to be a NFSW account will have the porn content you want to see. (Think Chris Marker’s La Jetée meets Fantastic Planet - or Yellow Submarine meets your worst acid freakout.) In one series of scenes, a man’s penis turns into a horse, a giraffe grows out of another man’s genitals, rabbits escape someone’s rectum, two tortoises 69 each other and several fish wriggle from a woman’s vagina.

After war breaks out and most of the men (including the region’s regent) leave for battle, Jeanne makes a pact with Satan for supernatural powers and becomes a prominent, feared figure in the village the Joan of Arc-like avenging angel eventually leads a rebellion against the ruling class.īut any attempt to describe the boundary-pushing narrative pales in comparison to Belladonna’s form and imagery, as the film blends still pictures of watercolor paintings and illustrations with surreal, trippy visuals. Broken by the experience, the young woman begins conversing with an impish demon, who first appears as a playful penis.

The plot, as such: When newlyweds Jeanne and Jean approach the lord of the manor for blessings on their marriage, the lord and his courtiers viciously assault the new bride. (It opens in Los Angeles on May 13th, and will be available on iTunes starting July 12th.) Never before released in the United States, the film has been restored by Cinelicious Pics, ready to shock a new generation of cult movie fans and outré animation aficionados. They expected something that might distract their kids for 90 minutes, a sort of proto- My Neighbor Totoro instead, they were treated to an opening scene that climaxes with a brutal prima nocta gang rape, a devil disguised as an impish phallus worming his way between the heroine’s legs and, in between surreal orgy scenes, a meditative reflection on war, class structure and feminism.Ī lost masterpiece for more than 40 years, Eiichi Yamamoto’s singular, psychedelic film was largely neglected (or outright derided) upon its release, ruined the studio that produced it and, in subsequent years, became a discrete curio passed around in bootleg form among anime fanatics. At the 1973 Berlin Film Festival, overenthusiastic parents, eager to take their kids to a “family-friendly” animated film, crowded into a German theater for a recently released Japanese anime film with an unusual title: Belladonna of Sadness.

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